Christian Symbolism, Kierkegaard, Nietzsche, and Godot

Waiting for Godot burst on the scene, or rather stage, in 1953. Written by Samuel Beckett on the heels of WWII, which finally ended with a literal bang when the atom bomb was unleashed on Hiroshima and Nagasaki, post-modernism and the theater of the absurd was ushered in with the two act play considered highly … Continue reading Christian Symbolism, Kierkegaard, Nietzsche, and Godot

Watt and Nietzsche: Meaning Versus Truth

The most intriguing and dangerous characteristic of postmodernism explored, specifically and to an uncanny degree in Watt, is the idea that truth is not objective as previously believed, but subjective. This idea of subjectivity in regards to truth, which plays out through the character of Watt, is not an original premise. Friedrich Nietzsche expounded the … Continue reading Watt and Nietzsche: Meaning Versus Truth